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Works Cited

Barthes, Roland. Camera Lucida: Reflections on Photography, trans. Richard Howard. New York: Hill & Wang, 1981.

Beer, Gillian. " 'Authentic Tidings of Invisible Things': Vision and the Invisible in the Later Nineteenth Century." In Vision in Context: Historical and Contemporary Perspectives on Sight, ed. Teresa Brennan and Martin Jay. New York: Routledge, 1996.

Benjamin, Walter. "A Small History of Photography." In One Way Street, trans. Edmund Jephcott and Kingsley Shorter. London: NLB, 1979.

Bernhard, Mary Elizabeth Kromer. "Lost and Found: Emily Dickinson's Unknown Daguerreotypist." NEQ 72, no. 4 (December 1999): 594-601.

Crary, Jonathan. Suspensions of Perception: Attention, Spectacle, and Modern Culture. Cambridge, Mass.: MIT P, 1999.

Derrida, Jacques. "The Deaths of Roland Barthes," tr. Pascale-Anne Brault and Michael Naas. Continental Philosophy I: Philosophy and Non-Philosophy since Merleau-Ponty, ed. Hugh J. Silverman. New York and London: Routledge, 1988.

Fauvel-Gourand, Francois. Description of the Daguerreotype Process, or Summary of M. Gouraud's Public Lectures, According to the Principles of M. Daguerre. With a Description of a Provisory Method for Taking Human Portraits. Boston: Dutton and Wentworth's Print, 1840.

Guibert, Hervé. Ghost Image, tr. Robert Bononno. Los Angeles, CA: Sun & Moon P, 1996.

Gura, Philip. http://www.unc.edu/~gura/ed/index.html

"Hand Library," in Radical Scatters: An Electronic Archive of Emily Dickinson's Late Fragments and Related Texts, ed. Marta L. Werner. U of Michigan P, 1999.

S. D. Humphrey and M. Finley. A System of Photography. Containing an Explicit Detail of the Whole Process of Daguerreotype, According to the Most Approved Methods of Operating Including all the Late Valuable Improvements, as Practiced by the Most Successful Artists; with Receipts and Instructions for Manufacturing the Chemicals Used in the Art; to which is Added the Process of Galvanizing, Electrotype, and Calotype, also, M. Becquerel's Process for Producing Daguerreotypes with the Colors of Nature. Canandaigua, N.Y.: The Ontario Messenger, 1849.

Lalvani, Suren. Photography, Vision, and the Production of Modern Bodies. Albany: SUNY P, 1996.

Mead, Rebecca. "Annals of Ebay: A New Kodak Moment with Emily Dickinson?" The New Yorker (May 22, 2000), 30-31.

Rinhart, Floyd and Marion. The American Daguerreotype. Athens: U of Georgia P, 1981.

Sedofsky, Lauren. "Time Exposure: The Photographs of Patrick Faigenbaum." In Illuminations: Women Writing on Photography from the 1850s to the Present, ed. Liz Heron and Val Williams. Durham: Duke UP, 1996.

Sontag, Susan. On Photography. New York: Doubleday, 1973.

Williams, Susan. Confounding Images: Photography and Portraiture in Antebellum American Fiction. Philadelphia: U of Pennsylvania P, 1997.




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