Books and Articles

Andrew, Dudley and Sally Shafto, eds. The Image in Dispute: Art and Cinema in the Age of Photography. Austin, TX: U of Texas P, 1997.

Armstrong, Carol. Scenes in a Library: Reading the Photograph in the Book 1843-1875 (October Books). Cambridge, MA: MIT P, 1998.

Arnheim, Rudolf. "On the Nature of Photography." Critical Inquiry 1:1 (1974): 149-161.

Barger, M. Susan and William B. White. The Daguerreotype: Nineteenth-Century Technology and Modern Science. Washington, D.C.: Smithsonian Institution P, 1991.

Barthes, Roland. Camera Lucida: Reflections on Photography. Tr. Richard Howard. New York: Hill & Wang, 1981.

Batchen, Geoffrey. "Burning with Desire: The Birth and Death of Photography." Afterimage 17.6 (January 1990): 8-11.

Benjamin, Walter. "A Small History of Photography" in One-Way Street. Tr. Edmund Jephcott and Kingsley Shorter. London: NLB, 1979.

---. "The Work of Art in the Age of Mechanical Reproduction" in Illuminations. Tr. Harry Zohn. New York: Schocken, 1969.

Berland, Jody, with Will Starw and David Tomas, eds. Theory Rules: Art as Theory/Theory and Art. Toronto: YYZ Books and U of Toronto P, 1996.

Bernhard, Mary Elizabeth Kromer. "Lost and Found: Emily Dickinson's Unknown Daguerreotypist." New England Quarterly 72.4 (December 1999): 594-601.

Brennan, Teresa and Martin Jay, ed. Vision in Context: Historical and Contemporary Perspectives on Sight. New York: Routledge P, 1996.

Bryant, Marsha. Photo-Textualites: Reading Photographs and Literature. Newark, Delaware: U of Delaware P, 1996.

Burns, Stanley B., M.D. Sleeping Beauty; Memorial Photography in America. Pasadena, CA: Twelvetrees P, 1990.

Cadava, Eduardo. Words of Light: Theses on the Photography of History. Princeton: Princeton UP, 1997.

Castle, Terry. "Phantasmagoria: Spectral Technology and the Metaphorics of Modern Reverie." Critical Inquiry 15 (Autumn 1998): 26-61.

Chapman, Mary and Glenn Hendler, eds. Sentimental Men: Masculinity and the Politics of Affect in American Culture. Los Angeles: U of California P, 1999.

Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, MA: MIT P, 1992.

---. Suspensions of Perception: Attention, Spectacle, and Modern Culture. Cambridge, MA: MIT P, 1999.

Derrida, Jacques. "The Deaths of Roland Barthes." Tr. Pascale-Anne Brault and Michael Nass. Continental Philosophy I: Philosophy and Non-Philosophy since Merleau-Ponty. Ed. Hugh J. Silverman. New York: Routledge P, 1988.

Fischlin, Daniel, ed. Negation, Critical Theory, and Postmodern Textuality. Dordrecht: Kluwer Academic Publishers, 1994.

Flusser, Vilem. Towards a Philosophy of Photography. Tr. Anthony Matthews. London: Reaktion Books, 1983.

Foresta, Merry A. and John Wood. Secrets of the Dark Chamber: The Art of the American Daguerreotype. Washington, DC: National Museum of American Art by the Smithsonian P, 1995.

Fuss, Diana. "Interior Chambers: The Emily Dickinson Homestead." Differences: A Journal of Feminist Cultural Studies 10.3 (1998): 2-46.

Green, Jennifer Marion. "Signs of Things Taken: Reading, Writing and the Nineteenth Century Photograph." Diss. University of Pennsylvania, 1991.

Guibert, Herve. Ghost Image. Los Angeles, CA: Sun & Moon P, 1996.

Gura, Philip, http://www.unc.edu/~gura/ed/index.html

Heron, Liz and Val Williams, eds. Illuminations: Women Writing on Photography from the 1850s to the Present. Durham, NC: Duke UP, 1996.

Hoffman, Katherine. Concepts of Identity: Historical and Contemporary Images of Self and Family. Boulder, CO: Westview P, 1997.

Jackson, Charles O., ed. Passing: The Vision of Death in America. Westport, CT: Greenwood P, 1977.

Jones, Carolyn et al. Picturing Science, Producing Art. New York, NY: Routledge P, 1998.

Kondo, Masaki. "The Intersection of Mi (Me-Body) and Tai (You-Body) in Photography." Iconics 36 (1987): 5-23.

Krauss, Rosalind. "Photography's Discursive Spaces: Landscape/View." Art Journal 42.4 (Winter 1982): 311-319.

Lalvani, Suren. Photography, Vision, and the Production of Modern Bodies. (SUNY Series, Interruptions-Border Testimony) Albany, NY: SUNY P, 1996.

Lathers, Marie. "Picturing the Ideal Feminine: Photography in Nineteenth-Century Literature." Yearbook of Interdisciplinary Studies in the Fine Arts 2 (1990): 357-65.

Lippit, Akira Mizuta. "Phantographics." Qui Parle: Literature, Philosophy, Visual Arts, History 2.1 (Spring 1988): 142-49.

Marder, Elissa. "Nothing to Say: Fragments on the Mother in the Age of Mechanical Reproduction." Esprit Createur 40 (1) (Spring 2000): 25-35.

Marien, Mary Warner. Photography and Its Critics: A Cultural History, 1839-1900. (Cambridge Perspectives on Photography) Cambridge: Cambridge UP, 1997.

Mattison, Ben. "The Social Construction of the American Daguerreotype Portrait 1839-1860." http://users.rcn.com/ben42//daguerre/

Mavor, Carol. Pleasures Taken: Performances of Sexuality and Loss in Victorian Photographs. Durham, NC: Duke UP, 1995.

Maynard, Patrick. The Engine of Visualization: Thinking Through Photography. Ithaca, NY: Cornell UP, 1997.

Meinwald, Dan. "Memento Mori: Death and Photography in Nineteenth-Century America." http://cmp1.ucr.edu/terminals/memento_mori/

Milesi, Laurent. "Post-Mortems? Photo-Graphies of Derrida between Barthes, Blanchot, Mallarme and Nabokov." Imprimatur 1 (2-3) (Spring 1996): 234-51.

Mirzoeff, Nicholas, ed. The Visual Culture Reader. New York, NY: Routledge P, 1998.

Newhall, B. The History of Photography: From 1839 to the Present. New York, NY: MoMA, 1982.

Petro, Patrice, ed. Fugitive Images: From Photography to Video. Bloomington, IN: Indiana UP, 1995.

Pfister, Harold Francis. Facing the Light: Historic American Portrait Daguerreotypes: An Exhibition at the National Portrait Gallery, Sept. 22, 1978-Jan. 15, 1979. Washington, DC: National Portrait Gallery by the Smithsonian Institution P, 1978.

Phelan, Peggy, ed.; Lane, Jill, ed. The Ends of Performance. New York, NY: New York UP, 1998.

Rabate, Jean, ed. Writing the Image After Roland Barthes. Philadelphia, PA: U of Pennsylvania P, 1997.

Rinhart, Floyd and Marion. The American Daguerreotype. Athens, GA: U of Georgia P, 1981.

Ruby, Jay. Secure the Shadow: Death and Photography in America. Cambridge, MA: MIT P, 1995. http://catlin.clas.virginia.edu/shadows/jay/jay.html

Rudisill, R. Mirror Image: The Influence of the Daguerreotype on American Society. Albuquerque, NM: U of New Mexico P, 1971.

Saltz, Laura. "Disappearing Women: Gender and Vision in Nineteenth-Century American Fiction and Photographs." Diss. Yale University, 1997.

Samuels, Shirley, ed. The Culture of Sentiment: Race, Gender, and Sentimentality in 19th-Century America. Oxford: Oxford UP, 1992.

Savedoff, Barbara E. Transforming Images: How Photography Complicates the Picture. Ithaca, NY: Cornell UP, 1999.

Sekula, Alan. Photography Against the Grain: Essays and Photoworks 1973-1983. Halifax: The Press of Nova Scotia College of Art and Design, 1984.

Severa, Joan L., Rexford, Nancy, Kidwell, Claudia Brush. Dressed for the Photographer: Ordinary Americans and Fashion, 1840-1900. Ashland, OH: Kent State UP, 1997.

Smith, Lindsay. The Politics of Focus: Women, Children and Nineteenth-Century Photography. (Critical Image) Manchester: Manchester UP, 1998.

Sobieszek, Robert A. Ghost in the Shell: Photography and the Human Soul, 1850-2000. Cambridge, MA: MIT P, 1999.

Sontag, Susan. On Photography. New York, NY: Doubleday, 1973.

Spence, Jo and Patricia Holland. Family Snaps: The Meanings of Domestic Photography. London: Virago P, 1991.

Van Setten, Henk. "Album Angels: parent-child relations as reflected in 19th century photos, made after the death of a child." http://www.socsci.kun.nl/ped/whp/histeduc/19cphotos.html

Williams, Susan. Confounding Images: Photography and Portraiture in Antebellum American Fiction. Baltimore, MD: U of Pennsylvania P, 1997.

Wood, John, ed. America and the Daguerreotype. Iowa City, IA: U of Iowa P, 1991.

Wright, Richard D., ed. Visual Attention. Oxford: Oxford UP, 1998


Related Web Sites

America's First Look into the Camera: Daguerreotype Portraits and Views, 1839-1862 (Library of Congress, American Memory Collection)
http://memory.loc.gov/ammem/daghtml/daghome.html

Craig's Daguerreian Registry
http://www.daguerreotype.com/

The Digital Daguerreian Archive
http://www.jump.net/~gwalker/digidag/

Daguerrean Broadside
http://www.geocities.com/~daguerreotype/

The Daguerreian Society
http://www.daguerre.org/

Daguerreotypes at Harvard
http://preserve.harvard.edu/exhibits/daguerreotype/intro1.html

"Do You Believe: Spirit Photography 1868-1935," an on-line exhibition at The American Museum of Photography
http://www.photographymuseum.com/mumler.html

Mortal Coil: Mourning Becomes Electronic
http://time.arts.ucla.edu/terminals/t1/ucsc/index.html

Post-mortem Photography
http://www.chariot.net.au/~rjnoye/Misc/Postmort.htm

Secrets of the Dark Chamber: The Art of the American Daguerreotype
http://nmaa-ryder.si.edu/collections/exhibits/secrets/secrets_introduction.html

Smithsonian: Photography
http://web1.si.edu/resource/faq/nmah/photography.htm

Women in Photography International Archive
http://www.sla.purdue.edu/WAAW/Palmquist


Key to Symbols

A or AC The Dickinson Collection, Amherst College Library, Special Collections The numbers on the manuscripts at Amherst College were assigned by Jay Leyda, who arranged and described the materials while they were housed in the Folger Shakespeare Library, Washington, D.C., in 1957. Leyda assigned catalog numbers first to what he understood to constitute manuscript volumes (80-95), then to what he understood to be unbound poems and poem fragments (96-540), and, finally, to those documents he considered letters, drafts, and prose fragments (541-1012). The arrangement within each correspondence is intended by Leyda to be chronological.

BPL Higg The Thomas Wentworth Higginson Papers, Galatea Collection, Boston Public Library

H The Dickinson Collection, Houghton Library, Harvard University Library

Jones Jones Library, Inc., Amherst, Mass.


Symbols Used to Identify Editions

Letters (1958) The Letters of Emily Dickinson. 3 vols. Edited by Thomas H. Johnson, with Theodora Ward. Cambridge, Mass.: The Belknap P of Harvard UP, 1958.

MB (1981) The Manuscript Books of Emily Dickinson. 2 vols. Edited by R. W. Franklin. abbreviation F stands for Fascicle and the abbreviation S stands for Set.

Poems (1955) The Poems of Emily Dickinson, Including variant readings critically compared with all known manuscripts. 3 vols. Edited by Thomas H. Johnson. Cambridge, Mass.: The Belknap P of Harvard UP, 1955.

Poems (1998) The Poems of Emily Dickinson: Variorum Edition. 3 vols. Edited by R. W. Franklin. Cambridge, Mass.: The Belknap P of Harvard UP, 1998.

YH (1960) The Years and Hours of Emily Dickinson. 2 vols. By Jay Leyda. New Haven: Yale UP, 1960.





home | introduction | dickinson focus texts | texts on photography | image gallery | critical perspectives | timeline | questions | bibliography | acknowledgements